![]() ![]() ![]() The story itself is my (the reader’s) own Candy. The feel of this story reminds me of ‘Eraserhead’ and ‘House of Leaves’ but something much more which is tantalisingly within my grasp – only to fall into the basement of the story figuratively and literally. renting reality from fiction (or vice versa?). This is about insulation, disintentionalisation, holding things beyond one’s own ownership, i.e. We never really know what will be under a stranger’s boxer shorts. PURITY – The narrator is dead pan, logical about illogicality – and, therefore, from among the many narrators I’ve met in all fiction over the years, he or she (here in ‘Purity’) is one of the most dependable, if not 100% dependable. For the next few weeks (or months), I intend to re-read my Durtro hardback edition of Teatro Grottesco (2006) and make a critique of each story in turn on this thread - followed by my personal 'gestalt' impression of the whole book, hopefully 'disintentionalised' of anything I know about TL as a person. ![]()
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